Some great tips for public speaking

Gina Barnett advises a speaker during TED2014. Below, her best last-minute
public speaking tips.:

Start drinking water 15 minutes before you start talking. If you tend to get dry mouth — that scratchy feeling where it’s hard to swallow — start drinking water 15 minutes before you go onstage. Why? Because the microphone will pick up that sticky, clicky sound. “When you close your mouth, don’t let your tongue hit the roof of your mouth,” Barnett offers as a pro tip to avoid popping audio. “Imagine a half a plum on your tongue, which will keep a vacuum from forming.”
.
Psych yourself up, not out. Barnett warns that negative self-talk can become a self-fulfilling prophecy. So don’t stand backstage thinking, “What if I mess up?” Think more like an athlete before a big game, she says. Psych yourself up with phrases like, “I’m so excited!” “It’ll be great!” “I can’t wait to share this idea!” Basically, whatever key phrase makes you feel happy. “Even just thinking the word ‘YES!’ over and over — feel how the thought enters your body and boosts your confidence,” she says.
.
Use your body’s nervous energy for good. Don’t try to contain all your nervous energy.
Let it move through you and energize you for your talk. Do isometrics while you waiting backstage if it helps. Shake your hands out. Barnett remembers one TED speaker who found a private corner backstage to put on headphones and dance — and that speaker walked onstage feeling like a rockstar. And, if nothing else, always remember TED star Amy Cuddy and how to power pose.
.
Focus on your breath when you feel the adrenaline. What should you do if you feel the panic of nerves? “Breeeeeathe,” says Barnett, extending the sound. “Weʼre often not aware of how shallow our breath becomes when weʼre nervous or stressed.” The exercise Barnett recommends: “Take three or four conscious, evenly-paced, smooth
inhalations and exhalations. Let the belly go and let the breath go all the way
down into your abdomen. This can center your energy and focus your thoughts.”
.
Beware of repetitive motion. On stage, people often deal with adrenaline by unconsciously swaying or shifting their weight from foot to foot. This is not good. “Repetitive movements are distracting and set up a lullaby pattern in the audience’s brain,” says Barnett. The best way to make sure you aren’t doing this? Rehearse in front of people, who can point it out to you. And also rehearse out loud in front of a mirror to self-diagnose.
.
Think about how to use movement wisely. “You can walk,” says Barnett, “but not pace. You can step forward and or back, but not rock.” These are just as bad as swaying — they create that lull. Barnett has a great tip for how to make sure that you move in a way that adds to your talk rather than detracts from it. “Practice moving to
make a new point,” she says. “Try coming closer to the audience when the content of your talk calls for it.” One technique she likes for this — rehearse while standing on newspapers spread out on the floor. You’ll be able to hear your movement as the paper crunches so you can really move “with intention and purpose.”
.
Use your tone to strengthen your words. Merge your tone with the topic of your speech, says Barnett. Don’t deliver great news in a monotone voice or serious news too excitedly, as disjunctions like that will distract the audience. Barnett recommends going through your script and tagging what each piece of news means. By doing that, you can focus on how your tone can strengthen the message, rather than undermine what you are trying to get across.
.
Give people a chance to adjust to your accent. Everyone has an accent — at least, when someone else is listening. Luckily, TED has a global audience and is very comfortable with hearing different varieties of speech. That said, speakers can make their accents more accessible to listeners all over the world. Barnett’s advice: keep your opening sentences slow and over-enunciated, so the audience can adapt to the way you speak. “Our ears are trained to adjust to accents,” says Barnett.
.
Focus on something outside of yourself. Barnett has a favorite exercise for someone who is just about to go onstage: she calls it “focusing out.” She explains: “Pick anything — like the color green — and  look all around you to see where you spot it in the room. Or pick an object to observe. Notice what shoes people are wearing, or whoʼs wearing a watch. Or try paying attention to how light reflects off surfaces.”
Doing something like this will shift the focus from what’s going on in your body and find to something outside. It can definitely help you relax.
.
Remember that the audience likes you. As Barnett says, “The TED audience — as big, scary and remote as they may seem — is totally on your side. They want you to have a good time up there, they want to hear your ideas, even if they don’t agree with
them, and they want you to succeed.” Enough said.

And finally, no matter how well you prepare — be okay with the unexpected. You may forget a word; someone may drop something backstage; there might be a technical difficulty. Take a moment, breathe deeply and just roll with it. As one TED speaker laughed today as her slides spiraled out of order in rehearsal: “It’s just about having fun, right?”

Ted Hughes Conference

Ted Hughes: Dreams as Deep as England

An International conference at the University of Sheffield 9-12 September 2015

The University of Sheffield has been the most productive centre of research on Ted Hughes since the 1970, led by Neil Roberts, and more recently home to a thriving creative writing programme under the guidance of Simon Armitage. The School is proud to host the seventh International Conference on the former Poet Laureate.

For full details go http://www.sheffield.ac.uk/english/tedhughes

Poetic Devises and Figurative Language

Scarborough Poetry Workshop

POETIC DEVICES and FIGURATIVE LANGUAGE TECHNIQUES 

Using poetic devices and figurative language techniques in your work doesn’t necessarily have to mean that you have an in-depth knowledge of the names and terminology. For example, someone can have an advanced perception of what words sound good together, without knowing the technical terms. Conversely, someone might have mastery of the technical terms, but lack the ability to create original poetic work.

In other words, don’t worry! But these technical terms may help when you take part in discussions. Click on ‘Devices’ below for PDF file.

Devices

 

 

 

 

SPW Elects First Woman Chair

SPW ELECTS FIRST WOMAN CHAIR

Helen Birmingham has been elected as the first woman Chair of Scarborough Poetry Workshop. The organisation, which was formed in 1975, supports creative writing and poetry performance.

IMG_1546

Helen, a former secondary school teacher, says “I am honoured to have been elected to this role. I look forward to steering the group towards a vibrant and sustainable future, whilst also preserving the long-standing tradition and ethos of this influential group of local poets and performers.”

SPW will continue to meet every alternate Thursday at The Valley Bar, Valley Road, Scarborough at 7.30 – 9.30pm. (click on Meeting Dates for further information)

Members are encouraged to develop their creative skills by reading and discussing their own work and by attending seminars/workshops given by invited guest speakers. There are also opportunities for participating in a regular programme of performances events.

Helen added “Poetry reflects real lives. Whilst it is important to have one hand resting on tradition and history, there is also an increased desire within the group to explore and listen to the voices of today. Using a literary analogy: if every life has its own unique library with bookshelves full of memories and ideas, SPW offers a chance to access, catalogue and retrieve hidden gems from your own, and others bookshelves.”

If you have any questions, or would like to be part of SPW’s activities, please contact Helen Birmingham on spw.helen@aol.com

Scarborough Poetry Workshop

Scarborough Poetry Workshop is a very active poetry group based in Scarborough close to the beautiful and inspiring North Yorkshire Moors and the Yorkshire coastline.
We meet at the Valley Bar, Valley Road, Scarborough at 7.30 – 9.30 alternate Thursdays.
We write our own poetry and perform at many venues and events around North Yorkshire and Ryedale.
All members are encouraged to develop their own creative skills by reading and discussing their work.
For dates click on MEETING DATES button  at the top of the page.

Helen Birmingham (Chair of Scarborough Poetry Workshop)
Email: spw.helen@aol.com